Marxists Internet Archiveが削除された件

マルクス、エンゲルスの著作、手紙などを英文でインターネット上で公開していたMarxists Internet Archiveのサイトから、4/30をもってマルクスたちのテキストが全部削除されたことが、インターネット上で話題になっている。

要するに、英語版 Marx Engels Collective Works を出版しているLawrence & Wishart社の抗議によるものらしい。まあ、著作権をタテにそういわれてしまえば削除せざるを得ないのだが。

It’s madness to ‘privatise’ Marx ? thanks to Piketty he’s back in vogue | Lucia Pradella |
Claiming a Copyright on Marx? How Uncomradely –

It’s madness to ‘privatise’ Marx ? thanks to Piketty he’s back in vogue

Austerity and the financial crisis mean economics is in the news, so why is a publisher taking Marx and Engels offline?

[Lucia Pradella;, Monday 5 May 2014 09.11 BST]

‘Thomas Piketty’s book, Capital in the 21st Century, conducts a dialogue with Marx over how to understand capitalism and confront its contradictions.’ Photograph: Bettmann/Corbis
The global economic and financial crisis has led to a renewal of interest in Karl Marx. Only a few weeks ago the New York Times ran a forum with leading economists with the theme “Was Marx right?”. Thomas Piketty’s recent book, Capital in the 21st Century, conducts an implicit dialogue with Marx over how to understand capitalism and confront its contradictions. So it is very sad that at this moment the publisher Lawrence & Wishart is forcing the Marxists Internet Archive (MIA) to take down those parts of Marx’s and Friedrich Engels’ Collected Works that it had hosted on its website with the authorisation of the publisher. It is particularly unfortunate that it insisted this happen by the eve of May Day, when international working-class solidarity is celebrated worldwide.

The MIA is an extraordinary resource for scholars and activists, giving free access to the writings, not just of Marx and Engels, but of many other socialist thinkers. Lawrence & Wishart portrays itself as a struggling publisher that needs to assert its copyright over the Collected Works in order to avoid “institutional suicide”. It has pointed out that “the work that went into producing them involved years of documentary research, collating and organising, the commissioning of hundreds of translations, and academic work on references and context”.

This is certainly true. I have myself worked at the Berlin-Brandenburg Academy of Sciences and Humanities where the historical-critical edition of the complete works of Marx and Engels, the Mega (Marx-Engels Gesamtausgabe), is being produced. So I appreciate the huge effort involved in such a project. Yet the aim of the protests against Lawrence & Wishart’s decision is not to leave “cultural workers such as publishers, editors and writers unpaid”. The online petition I helped to organise does not dispute Lawrence & Wishart’s copyright. The point is that the bulk of the English edition of the Collected Works was produced primarily by Progress Publishers in Moscow, as a state project of the Soviet Union until it collapsed in 1991. Lawrence & Wishart, historically associated with the British Communist party, is the legatee of this Soviet investment.

Its decision has produced a storm of protest, with thousands around the world signing two online petitions, and moves to raise the issue within British trade unions. The signatories of the petition I have been involved in include prominent Marxist scholars based in the north (Jacques Bidet, Alex Callinicos, Bob Jessop, Michael Heinrich, Michael Löwy, David McNally, Helena Sheehan) and in the south (Ricardo Antunes, Abelardo Mariña Flores, Vijay Prashad), collaborators with the Mega (Kevin Anderson, Michael Krätke, Rolf Hecker), critical intellectuals (Stanley Aronowitz, Timothy Brennan, Rashmi Varma, Hilary Wainwright), heterodox economists (Guglielmo Carchedi, Doug Henwood, Steve Keen, John Weeks), and radical cultural figures (Pat Kane and Michael Rosen).

The self-defeating nature of Lawrence & Wishart’s action has been revealed by the appearance of mirror sites of the original MIA site and the posting of pdfs of the entire Collected Works online. The publishers have now said that they have been “surprised by the online response” and are “considering what we can do to meet the desire for greater access”. This is welcome news, and we would encourage them and the MIA to reach agreement. But this has to include restoring free online access to the Collected Works via the MIA. This is not the moment to privatise Marx.

Claiming a Copyright on Marx? How Uncomradely


The Marxist Internet Archive, a website devoted to radical writers and thinkers, recently received an email: It must take down hundreds of works by Karl Marx and Friedrich Engels or face legal consequences.

The warning didn’t come from a multinational media conglomerate but from a small, leftist publisher, Lawrence & Wishart, which asserted copyright ownership over the 50-volume, English-language edition of Marx’s and Engels’s writings.

To some, it was “uncomradely” that fellow radicals would deploy the capitalist tool of intellectual property law to keep Marx’s and Engels’s writings off the Internet. And it wasn’t lost on the archive’s supporters that the deadline for complying with the order came on the eve of May 1, International Workers’ Day.

“Marx and Engels belong to the working class of the world spiritually, they are that important,” said David Walters, one of the organizers of the Marxist archive. “I would think Marx would want the most prolific and free distribution of his ideas possible ? he wasn’t in it for the money.”

Still, Mr. Walters said the archive respected the publisher’s copyright, which covers the translated works, not the German originals from the 19th century. On Wednesday, the archive removed the disputed writings with a note blaming the publisher and a bold headline: “File No Longer Available!”

The fight over online control of Marx’s works comes at a historical moment when his ideas have found a new relevance, whether because the financial crisis of 2008 shook people’s confidence in global capitalism or, with the passage of time, the Marx name has become less shackled to the legacy of the Soviet Union. The unlikely best seller by the French economist Thomas Piketty, “Capital in the 21st Century,” harks back to Marx’s work, examining historical trends toward inequality in wealth.

Despite this boomlet in interest, however, Lawrence & Wishart, located in East London, hardly expects to have an online hit on its hands, said Sally Davison, the publisher’s managing editor. The goal is to create a digital edition to sell to libraries in place of a print edition, which costs roughly $1,500 for the 50 volumes.

“Creating a digital strategy is key to our survival,” she said. “We are currently negotiating with somebody, that’s why we’ve asked the archive to take it off; it’s hard to sell it to librarians if a version already exists online.”

Lawrence & Wishart has been losing the argument online, however. The publisher said that it had received about 500 irate emails, along the lines of “How can you say you are radicals?” There are more than 4,500 signatures on an online petition to oppose the notion of a copyright claim on Marx’s and Engels’s writings; the petition cites the incongruity, noting that the two philosophers “wrote against the monopoly of capitalism and its origin, private property, all their lives.” And the libertarian Cato Institute enjoyed teasing its ideological adversaries with an I-told-you-so blog post titled, “Because Property Rights Are Important.”

Ms. Davison said she was flabbergasted to see Lawrence & Wishart cast as the oppressor. The publisher has two full-time employees and two part-time employees and barely makes ends meet, publishing a handful of journals, like Anarchy Studies, and about a dozen left-wing books a year, she said.

“We make no profit and are not particularly well paid,” she said.

Ms. Davison defended her position by quoting Marx to the effect that you must adapt to real-world conditions: “We don’t live in a world of everybody sharing everything. As Marx said, and I may be paraphrasing, ‘We make our own history, but not in the conditions of our own choosing.’ ”

The publisher also tried to turn the tables on its critics, questioning whether it was indeed radical to believe that there is no ownership of content produced through hard work, like the mammoth translation and annotation of Marx’s and Engels’s work, a project initially directed by the Soviet Union in the late 1960s that took some 30 years of collaboration among scholars across the world.

In a note on its site, Lawrence & Wishart said its critics were not carrying on the socialist and communist traditions, but reflecting a “consumer culture which expects cultural content to be delivered free to consumers, leaving cultural workers such as publishers, editors and writers unpaid, while the large publishing and other media conglomerates and aggregators continue to enrich themselves through advertising and data-mining revenues.”

The statement noted that many works by Marx and Engels ? including “The Communist Manifesto,” which urges, “Workers of the world, unite!” ? were freely available in translation on the nonprofit archive and other sites.

Ms. Davison said, “This is a 50-volume, academic edition; it isn’t necessary to revolutionary activity,” and noted that much of the material included things like “Marx writing to Engels asking if you want to come by my house to go to this meeting.”

Because of how the complete works of Marx and Engels were translated into English, Ms. Davison said, the copyright had been shared among three publishers: Progress, a company in the Soviet Union that no longer exists; Lawrence & Wishart, once the official publisher of the British Communist Party; and the radical New York publishing house, International Publishers. Lawrence & Wishart, she said, has taken the lead in trying to form a digital strategy.

She said she expected a deal to take effect by early next year, and Lawrence & Wishart and International Publishers both said they would discuss how to divide the proceeds.

Even without the removed Marx and Engels material ? consisting mainly of early philosophical and economic writings, as well as notes and letters in which their ideas were first hashed out ? the Marxist Internet Archive still will host roughly 200,000 documents in more than 40 languages from political theorists and economists.

Peter Linebaugh, a professor at the University of Toledo in Ohio, who has studied the history of communism, said that the comprehensive English translation of Marx’s and Engels’s writings was a galvanizing event, and that he had great respect for the effort that went into pulling it off. He expressed disappointment over the publisher’s move, and disputed the idea that you could divide Marx’s work into the important and the mundane. “What seems like arcane scholarship,” he said, “can appear as a bombshell to young militants.”

Surveying the entire affair, he concluded, “This is the triumph of capitalism, having the small fish biting at each other.”


Marx and Engels Collected Works

作成者: GAKU

年齢:50代 性別:男 都道府県:東京都(元関西人) 趣味:映画、クラシック音楽、あとはひたすら読書



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